KATJA AUFLEGER

ORANGE MONEY

THE HUDDLE

I'M ANGRY, JUST NOT SURE ABOUT WHAT

THE HUDDLE (playoff)

APPLAUSE

GUILTY

REMAINING PIECES

BETWEEN US

THE ARGUMENT

BECAUSE IT’S YOU

SIRENS (Al Wakra Vol. I)
SIRENS (Al Wakra Vol. II)
SIRENS (Al Wakra Vol. III)

THE GLOW

SUCCESS ORIENTED SOCIETY

SAD BOYS

LOVE AFFAIR

KISS

AND HE TIPPED GALLONS OF BLACK IN MY FAVORITE BLUE

EGO

WHAT GOES AROUND, COMES AROUND

CONVERSATION PIECE

NEWTON'S CRADLE

BANG!

SUM OF ITS PARTS

VOLUMEN

INDEX (CONTEMPLATING)

CV


Impressum

Datenschutzerklärung


THE HUDDLE / 3 excavators, controls / dimensions variable / 2022

In THE HUDDLE, Katja Aufleger makes several pieces of construction machines – stripped of their functions and redefined – enter into an unconventional dialogue. In sport, the word „huddle“, that gives the piece its title, refers to a gathering of the team in order to discuss strategy for its next move. In similar fashion to her 2021 installation Applause, where an excavator clapped its hands powerfully, the Berlin-based artist develops a language of her own for machines whose gestures and movements also follow their own internal logic. The familiar sight of construction machines outdoors in public spaces is made stranger and gives rise to new associations: is this archaic-seeming group perhaps directly related to the most modern robots? Are they trying to tell us something – or are they no longer concerned about interacting with us humans? Katja Aufleger has become well-known in recent years for her powerful pictures and sculptures loaded with tension, which permit many different interpretations without slipping towards banality. How she masters this balancing act and whether we, as spectators, observe the interplay or trigger it, can be found out on the forecourt of the Jahrhunderthalle Bochum.

 

pictures: Daniel Sadrowsky, Heinrich Holtgreve, Katja Illner